In the new Yamaha MG32/14FX Mixer, there has been no compromise. The MG32/14FX mixer is built for great sound, total control, and superior reliability. In fact, it undergoes the same rigorous quality and reliability tests as the world-class PM-series mixing consoles.
By taking full advantage of the latest technology and manufacturing techniques, Yamaha has been able to pack the MG32/14FX mixer with more value than you'll find anywhere else. In short, it offers extraordinary performance and mixing power at a remarkable price.
Serious Capacity For Sound Reinforcement & Installations
If your application is live sound reinforcement, you'll want all the channel capacity you can get. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With 32 input channels, the MG32/14FX is ready to handle all but the most ambitious sound-reinforcement setups. And with dual SPX digital effect systems on-board, you won't need racks of outboard gear to get the sound you need. There's also a comprehensive range of group and auxiliary busses to make even complex mixes easy.
32 Input Channels
The MG32/14FX has 24 mono microphone/line channels and offers four stereo line channels in addition to the mono mic/line channels.
Low-noise, High-precision Mic Preamps With Phantom Power
All 24 mic preamps in the MG32/14FX are of exemplary quality. They offer low-noise, transparent amplification with the widest possible range for dynamic and condenser microphones, which adds up to cleaner, better-sounding mixes. All mic preamps feature switchable phantom power for phantom-powered studio condenser microphones. Phantom power is switchable in 8-channel groups.
Illuminated Switches
Illuminated ON (channel), PFL (Pre-Fader Listen), and phantom-power switches let you confirm critical console settings at a glance.
14 Buses In All For Flexible Signal Routing
In addition to lots of input channels, live sound reinforcement applications usually demand a number of additional mixes - usually in the form of group sub-mixes and aux sends for external signal processing and monitor mixes. In the MG32/14FX you have a total of 14 mix buses: the main stereo program bus, four stereo group bus pairs for convenient channel grouping, six auxiliary busses (four configurable for pre- or post-fader operation and two set up as effect sends), and two internal effect busses that feed the dual high-performance built-in effect processors.
Insert I/O
All mono input channels feature insert I/O patch points so you can insert compressors, EQ, or other extra signal-processing gear into the channel signal path as required.
3-band Mid-sweep Channel EQ and HPF
The 3-band equalizers with a sweepable midband provided on all input channels are designed for exceptionally smooth, intuitive response that can help you to create cleaner, tighter mixes. All mono microphone input channels also feature a switchable high-pass filter that can be used to cut out unwanted low-frequency noise.
Dual SPX Digital Effects
In the Yamaha MG32/14FX mixer you have not one, but two high-performance digital signal processing stages, fed by separate effect buses, so you can enhance your mix with two separate effects at the same time. And the effects are provided by the very latest Yamaha DSP technology - you know you're getting the best.
Each stage provides a selection of 16 professional - quality SPX digital effects, including reverb, delay, pitch change, chorus, phasing, vocal doubling, distortion, and more. Parameter controls that can be adjusted to tailor the effects to your sonic requirement are also provided and Tap delay makes it easy to produce tempo-synchronized delays.
Talkback Input
Communication capability is important for efficient setup as well as for keeping a show running smoothly. The MG32/14FX features a talkback system that allows the FOH engineer to communicate with the monitor engineer, performers, or other staff to keep the team operating at optimum efficiency.
Balanced XLR Stereo and Mono Outputs
Professional connectivity is provided by reliable XLR-type balanced stereo and mono outputs.
Sweepable LPF for Mono Out
One of the many uses for a mono output is to drive a subwoofer system. The MG32/14FX makes this easier than ever with a built-in sweepable low-pass filter on the mono outputs.
If you must have dependable, high-quality audio at an affordable price, you need the new Yamaha MG32/14FX Audio Mixer.
- Total Harmonic Distortion: Less than 0.1 % (THD+N), 20 Hz – 20 kHz @ +14 dB 600 Ù (ST OUT)
- Frequency Response: 0 +1, -3 dB 20 Hz – 20 kHz @ +4 dB 600 Ù (ST OUT)
- Input Hum & Noise*1: -128dB, 20 Hz – 20 kHz, Rs=150 Ù, Input Gain=Maximum, Input Pad =OFF, Input sensitivity=-60 dB
- Crosstalk: -70dB @ 1kHz
- CH Input: 24+1 (Input A 1 – 24, Talk Back: XLR) 24 (Input B 1 – 24: TRS) Stereo: 2 (Ch 25 – 26, 27 – 28:TRS) * Ch25, 27:L (MONO), 2 (Ch 29 – 30, 31 – 32: TRS/RCAInsert 24 (Ch 1 – 24: TRS T: Out, R: In, S: Gnd)
- AUX: Send 6 (1 – 2/Post-Pre selectable, 3 – 4/Post-Pre selectable, 5 – 6/Post: TRS)
- Return: 2 Stereo Sub In (L/MONO, R: TRS)
- EFFECT: Send 2 (1, 2: TRS), 2TR In 1 Stereo (L, R: RCA)
- STEREO: Insert 1 Stereo (L, R: TRS)
- GROUP: Insert 4 (1 – 4: TRS)
- REC: Out 1 Stereo (L, R: RCA) ST Out 1 Stereo (L, R: XLR) MONO Out 1 (XLR)
- ST SUB: Out 1 Stereo (L, R: TRS)
- GROUP: Out 4 (1 – 4: TRS)
- Phones: 1 (TRS Stereo)
- Phantom Power: + 48 V
- CH & ST Ch Input Gain Control: 44 dB valiable
- CH & ST High Pass Filter: 80 Hz 12 dB/Octave
- CH EQ (MONO)*2 –15 dB (Max.) High 10 kHz (Shelving) Mid 0.25-5 kHz (Peaking) Low 100 Hz (Shelving)
- CH EQ (STEREO)*2 –15 dB (Max.) High 10 kHz (Shelving) Hi-Mid 3 kHz (Peaking) Low-Mid 800 Hz peaking) Low 100 Hz (Shelving)
- MONO Out Low Pass Filter: 80 – 120 Hz 12dB/octave
- Internal Digital Effect: SPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)
- Dimensions: Width 33.54"Depth 21.25" Height 5.90"
- Weight: 46.29 lbs.
- Power Requirements: UL/CSA: 60 W 120 V/60 Hz
- *1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation.
- *2 Turn over /roll-off frequency of shelving : 3 dB below maximum var
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